Getting a modeling job isn't just about looking good. There is no shortage of attractive models out there, and casting directors, booking agents, and photographers are experts at quickly weeding out the models they don't like. Before you've made a name for yourself most of your modeling work will come from getting cast in a commercial, photo shoot, or runway show. To get one of these jobs you will most likely have to go to a "go-see." As you might have seen on America's Next Top Model, a go-see is a very literal term. Models literally have to "go see" casting directors, booking agents and photographers. You bring your portfolio, take sample shots, or walk as if you're walking the runway. Many more models show up than can possibly get cast, so you need to make sure the directors really "see" you.

When your agent calls you about a go-see it is because you match the general description/age group/look requested by the agency or person casting. That's also why many other talent and booking agents are sending their models to the same go-see. As you can guess, there are going to be a lot of models who look very similar to your "type," so it's critical that you do as much as you can to distinguish yourself.

• Find out what kind of role or product is being cast for and dress appropriately.

• Be sure to bring your portfolio with you to the interview, but make sure it represents the kind of poses and styles being cast.

• Use make-up sparingly if you can, as casting directors tend to be doubtful of models who cake themselves.

• In psychology there is a memory principle called "the primacy effect" that makes people more likely to remember things they see first if there's a long succession of them. Arrive early to the go-see to ensure the photographer will see you with fresh eyes.

Once you're at the go-see, try to find a mock-up of the model shoot. If you can find one, study it before you're called in to replicate the pose as closely as you can. Go-sees tend to be short, and the directors remember you later by test Polaroid's they take during the interview. Treat the Polaroid shoot like a real modeling shoot and you'll stand a better chance of standing out when at the end of the day the casting directors are sorting through a stack of shots and throwing away the nonprofessional looking models.

Your audition begins as soon as the photographer and casting director lay eyes on you when you enter the room. You need to exude confidence from the get-go, have great posture, and project the style of the model that they require, be it a working mother, innocent girl, or a supermodel. Smile, be polite, and let the people casting control the interactions. Don't offer your portfolio or resume unless specifically asked for it. If the initial impression and interview goes well, you might remain in the room for longer than usual, at which point they'll probably want you to do test shots, give some poses, or show off your walk. Be prepared and in a professional mindset when you enter the room, so these kinds of demands don't take you by surprise.

When filling out audition forms or contact information, don't give your personal phone number or address. They'll only need your agent's information, and if they need more make sure there's a reason. Also, don't give your exact age. While it typically doesn't matter exactly how old you are, as long as you look right for the part, your real age can hurt you. Instead give an age range that you can reasonably play. This appears more flexible and professional. If at the go-see you are asked by the casting director or photographer to negotiate a pay scale, sign anything, or allow them to directly hire you without an agent's input, politely decline and tell them that they'll have to call your agent. It's especially important not to accept any offers that cut out your agent. You might get that job, but if your agency hears of it they will dismiss you and spread the word around.

With that information in mind, try to appear as relaxed as possible and have fun. Remember to use people's names if you can to add a layer of familiarity and friendliness. Make sure you're able to be contacted easily afterwards, because it is fairly common for casting directors to pick more than one model for the same part, and just take the one that gets back to them first. With any luck you'll soon be in front of a professional photographer, and if not, don't despair, because casting directors remember people they like and could very well call you back for a photo shoot that's a better fit for your talents.

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